Is Tron’s Legacy Safe?

 

In the past few years I’ve seen plenty of remakes and re-imaginings of old 80’s shows and movies that meant so much to me growing up.  Some of them have been bad (The A-Team earlier this year, I’d put Star Trek into that too, but whatever), some of them have been really bad (Knight Rider) and some of them have been eye-bleedingly bad (The Bionic Woman – okay to be honest, KR and BW are pretty much equally aweful, but the Bionic Woman was just so completely without joy that I had to rate it worse).  Objectively it should be hard to rate these properties for someone like me because I remember the originals with pride.  Yet the properties have been so objectively bad that that has frankly, never come up.  Which brings me to Tron Legacy, which, going in, I was rather nervous about.  I’d heard the script was mediocre at best.  And, of course, my first reaction was, upon hearing that it was being made a couple of years ago, “Brought to you because no one demanded it, Tron Legacy!”

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A thoroughly ordinary series

No Ordinary Family

I want to like this show. I mean a show about a fairly ordinary family who gains powers and then must deal with the consequences. I’m the guy loved “Unbreakable”. Unfortunately the truth of the matter is there’s a lot here that’s wrong for this show.

The set up is rather simple. In the first episode the family goes on a bonding trip down to South America where, on a plane tour of the Amazon, they crash in a wicked storm. When they return Stateside Jim (played by Micheal Chiklis), a police artist, finds out he has super strength, invulnverability, and the ability to leap tall buildings in a single bound. His wife, Stephanie (Julie Benz), a research scientist.    Their kids are Dapne (Kay Panabaker) and JJ (Jimmy Bennett), a telepath and a new super genius respectively. Read more

Sons of Anarchy – damn it, now I want a motorcycle

Sons of Anarchy, if you’ve been paying attention, is not a show that I would be likely to review positively or enjoy. I don’t tend to like morally dark programs because I find them to be just as uninteresting as say 7th Heaven was morally unambiguous in the other direction. And excessive violence tends to not sit well with me. Yet here I am telling you that this show is both good and enjoyable. (More after the break)

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The New Season: Fringe

The New Season:

Fringe

So here begins my update of the new season after taking a month off from my blog. This was, for of course, a lot of reasons that I just won’t get into now. However, I begin this new season appropriately with reviewing an old favorite of mine – Fringe.

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Chapter Twenty Four

Writing this was difficult.  The whole of 1929 has sort of dragged, and I’m going to have to go back and fix it when I’m all done.  But we’re almost done.  A lot happens in this chapter (Finally dammit!) and I’m actually fairly happy with this part of it.

In other news I wrote this chapter to improbable music (Vienna Teng songs) but somehow it seemed to work.  One of these days I’m going to list what I wrote each chapter to, but right now is not the time.  Now is the time for sleep.  Lots of it.

Chapter Twenty Four
Guilt

My friend Alan – Elijah told you about him – once told me in his flat in London that I was a woman without a conscience. In Boston he told me, after everything that had happened there on the Dark Roads, that it was the first time in my life that I had ever felt guilt. He was wrong of course. I am many things, but one of them isn’t a sociopath. There are things that I’ve done tshat I regret. There just aren’t many of them. But the first time that I can remember feeling guilt was here in New Orleans. When I think of Santos, I feel guilt.

Perhaps I shouldn’t. It is, after all, not my fault what happened to him. Santos was an adult, and the decisions he made were his own. Would he have made them without me? No. But that is an accident of fate, and not an accident of my being there. Read more

Islamic Center Debate

So I don’t particularly feel like weighing into the debate here, but sometimes debates have some really good media come out of it.  I feel like this is one of them.  Well filmed, well performed, well edited, it doesn’t let you look away and it captivates with a particularly heart wrenching story.  Even if you know what the reveal is, it’s a well done ad.

Beverly Chapter 23 Who We Say We Are

Having complete writer’s block for a month is never fun, but that’s what happened to me. I’ve had this chapter in my head and I knew what happened, but I could never make it work.  But last night I just suddenly could again.

The links willl be up later, but int he mean time, here’s chapter 23

Chapter Twenty Three

Who We Say We Are

The thing I let into my house wasn’t Santos.

It looked like him. It sounded like him, and it used his body almost as well as he did. But it wasn’t Santos. And I didn’t know that when I let him in. Read more

Scott Pilgrim Vs. the World

I don’t usually start reviews by what happens at the end of the movie, but this was fairly important. As I walked out of the film there was a middle aged man standing by the bathrooms telling his friend about how the movie was completely unbelievable – no one can get punched through walls and survive it. And he’s right. This movie was completely unbelievable, and if you’re looking for an explanation about why it should be, then you’re going into the wrong film. (More after the break)

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An American Idle Experience

My brother and I attended the American Idol mass audition over in East Rutherford, NJ this week. He was trying out, I wasn’t. Technically I was there for support (moral and not athletic – my brother and I don’t share that kind of relationship) but I, and the rest of the mostly filled IZOD center got to have a great view on exactly how this works. For me, it wasn’t a surprise. I have friends who have worked on reality television before so I understood the constructed nature of reality television. What I didn’t understand was that not everyone else is aware of it either.

(More after the break)

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Rizzoli and Isles

If this show weren’t on cable I’m not convinced it would work. Now I don’t mean this in the same way that True Blood wouldn’t work on, say, Fox, because True Blood makes its living showing you boobies and saying the word “fuck” a lot. “Rizzoli and Isles”, on the other hand, has almost no bad language and no nudity. The reason I say this, however, is that the minor inclusion of foul language and adult conversation gives the show and edge that it just wouldn’t have on CBS. (more after the break)

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